Sunday, May 16, 2010

Story of Bottled Water

After watching the story of bottled water, I now know why I definitely should not get it. Marketers have brainwashed consumers into believing bottled water is better when the big brands just used tap water anyway. This is very unethical and we as designers must find a way to prevent this from happening. We stop associating ourselves with packaging bottled water, we should design better ways to promote drinking tap water. All the bottles will end up in landfills and will most likely won’t even be recycled back into a sustain system. This growing trend must cease to exist and as it was suggested, bottled water should become a taboo like smoking. If designs such as the tap filter or reusable bottles with filters were more marketed then it will reassure consumers that tap water from home let alone anywhere is safe and drinkable and does no lower your status in the status quo. We must start a new trend saying that bottled water is in fact not good for you at all because the processes in which is used to manufacture the bottled water is doing harm to the environment and is going to end up in our bodies in the end because pollution will take its toll. Also the after life the bottled water is not satisfactory either. They must be properly managed no just shipped over to another country and polluting their environment instead.

Tuesday, May 4, 2010


DESIGN SCENARIO
POSTER 2


POSTER 1

Disaster Design - Solar Rice Cooker Rationale

BACKGROUND INFORMATION

Bangladesh is hit by cyclones on occasional basis and Cyclone SIDR was one of the more recent disasters to have taken place there. It killed approximately 3000 people and local authorities were slow to help reconstruct the disaster stricken areas due to the fact that they disallowed foreign aid to come in as soon as possible. This aspect paved way for a design which can allow the local governments to hand out water and rice rations to the desperate people as a RESPONSE EFFORT.

Rice and fishing are the main sources of economy and income in Bangladesh thus a Solar Rice Cooker seemed relevant to the target market. This solar rice cooker was to transform conventional solar food cookers; which consisted of enormous reflectors and a science project appearance, into a simpler, smaller and innovative form. There is an existing heat insulating tyre solar food cooker which uses the tubing of a tyre and a glass lid to insulate
heat into a pot, cooking the food inside in 3 hours.

There is also currently a solar rice cooker in the market which uses double glazed glass to insulate and store heat in the bowl. However the main problem with this design was that it was only a single serve its double glazed lid was flat which means that it won’t capture maximum sunlight. This provided a hole in the market for me to exploit.


THE DESIGN – SUNRICE

Not only does Sun Rice eliminate the need for giant reflectors it can now cook for a Bangladesh family with more efficiency. It has a:

-DOME double glazed glass lid which can capture more sunlight at more angles of the sun.

-Black rubber lid base which prevents users form getting burnt and nests onto the cooking pan which prevents heat loss.

-Split storage pot that holds water and rice which acts as a stabiliser after it has been used.

-Insulated inner rice cooking pot.

-Arms on the outer pot to allow users to use rope to carry from place to place.

Along with these innovations is the typical blackened pot. Even though it does not need reflectors, they can still be applied to further enhance the cooking efficiency hence the spherical form, which is to help capture maximum heat along with he extra height from the stabiliser.


MATERIALS

The choices of materials were to provide maximum durability and heat insulation efficiency.


The Base Pot:
The base pot is pressed from aluminium for it is a good conductor of heat and is light weight. It is then blackened with either non toxic paint or burnt with fire. This is to help absorb heat which is then transferred into the inner cooking pan which then cooks the rice.


Cooking Pan:
The cooking pan is also pressed but from steel. This is to allow for a more durable pan which can be easily cleaned.

Rice/Water Storage Pot:
The split storage pot is also made of aluminium for it doesn’t corrode from water. It is lightweight.

Lid Base:
the lid is made from black rubber which is to prevent users from burning their hands when opening the lid. It also allows the lid to nest comfortably on the cooking pan so when it is cooking rice, minimal heat is lost.

Spacer:
The spacer is also made of black rubber to allow for a maximum air tight lid. It is to separate the two glazed glass, which meets with double glazed glass standards.

Inner and Outer Glazed Glass:
The double glazed glass are made from low emissivity glass which allows solar radiation to pass into the cooker. Thus this form of glass reduces heat loss but allows the cooker to be warmed by sunlight.


DESIGN RELEVANCE

Sun Rice can cook up to 2kgs of rice, enough to feed a Bangladesh family in poverty; which is the intended market. It will be handed out by local authorities to the masses as a RESPONSE and a contract will be signed also stating that the user will pay off the debt over a period of time. The purpose of this is to ensure that they will not sell their solar rice cooker or even just throw it away; it will make them appreciate the product more.

During the duration of the cyclone disaster, the victims will go back to ration stations and receive rice and water to cook in their Sun Rice cooker. This will be continued until the disaster reconstruction efforts have passed.

After the duration of the disaster the victims will then rely on their own resources to cook with and they will continually pay off the debt. What makes this Sun Rice even more relevant is the fact that Bangladesh has 12 annual festivals and celebrations, each of which consist of the people going back to visit relatives to eat as a family. The solar rice cooker can be taken to help prepare food for those families which lack the financial benefits of affording electricity.

Sunday, April 18, 2010

[DESIGN FOR LIFE] Reflection

The driving force behind Phillipe Starck’s design concepts and methodologies is sustainability. He believes that design is the “door to the FUTURE, CREATIVITY and VISIONS. However what he insisted on reinforcing to the student/contestants is that sustainable design is not just about prolonging humanity’s existence. It is much more beyond the product itself and that it has to dwell in the conceptual way of thinking. For instance products must become:

  • DEMOCRATIC
  • SUSTAINABLE
  • BENEFICIAL TO SOCIETY

Democratic

Starck believes that design must be accessible to the majority of the world population in order to make a real difference and allow “humans to achieve their maximum potential”. In essence, designs must become easily affordable but retaining maximum beauty and functionality. If products were designed for the top end of the Capitalist hierarchy then more and more resources will be banished and wasted for the smaller percentage of the world population which is absurd.


Sustainability

A main issue in the contemporary design world is that too many products are be redone, not improved or enhanced efficiently. Products must evolve to multi task and be as minimal as possible at the same time. Hence knowing all technicalities is essential. For instance one of the students believe that the packaging of cleansers was an effective solution however was criticised by Starck because she did not consider at all the contents and their implications, only the packaging itself. Starck explicitly believes the product as a WHOLE MUST be considered in order to be sustainable. Without sustainable products, humans will never be able to “achieve its potential”



Beneficial to Society

He metaphorically states that design should be GENEROUS and should help humans EMBRACE one another though their sustainable products. If design can provoke a domino effect of generosity and embracement, “achieving [our] potential” seems very likely. Humans must sub consciously help one another buy purchasing products which not only benefit themselves as a functional object but also products whose after lives provide benefits to others. For instance after a product has lasted its functional life it’s afterlife will serve as another material or component for another product or person. Or even better, the product can be used and kept and never thrown out.

Tuesday, March 16, 2010

The 11th Hour

The human’s capacity to survive is solely based on our intellect however it is our intellect which has created a culture which has detached us from nature. This statement is rather contradicting for humans ARE a part of nature. The need for oil is repressing the general population from being fully aware of the consequences of what they are contributing to – global warming. I can’t believe how hard it is to persuade people to do the right thing. It is a common sight to see litter floating around any corner of any street. It’s unbelievable how people cannot make the linkages. It was said that an individual can be intellectual however on the other hand people are stupid. This reflects the 11th Hour’s perception of people.

“Corporations are the weapons of mass destruction” was a statement which hit hard for I had never thought about it that way. Consumerism IS destroying the planet and consumerism is a product of corporations therefore individuals must stand together as people and as people we must turn the hierarchy which holds corporations at the top upside down in order to save the human population. As mentioned earlier it is our INTELLECT which helps us survive, not our dumb witted sheepish behaviours of being sugar coated by corporations’ prime time advertisements. If nature were an economy it would generate $35 trillion worth of in one year, which is a staggering amount. Green power MUST be the source of a new economy.

As industrial designers we must live up to our new role as “culture generators”. We must create a new culture of environmentalism where people ARE aware their actions relative to global warming, and the “waste making system” must be reverted to a “cradle-cradle” system. We must make products last emotionally and discard consumerism.

Charette - Group Design + Refection






The child's toys attachment allow the kids to play with this chair and around it as if it safely without disturbing adults at dinner. While playing it can integrate into their learning through spelling and interaction improving mental awareness. As the child grows it will remember fond times it has spent with its parents setting up the blocks before dinners hence ill create emotional attachments. In the future the blocks can be removed, and the chair can be used normally. If even after growing up the child will be still attached to it, they'll keep it for they're own kids to use and play with.

Polyurethane Foam found in puzzle mats that are an ideal material for it is flexible enough to slot onto the chair. It's also soft soft so:
-it won't hurt children
-won't hurt adults if stepped on
-strong enough to last being continually handled by kids

Reflection
This task has revealed that it is indeed possible to make all products have a longer life if done correctly. The idea to integrate a new design into an existing one successfully will be challenging however rewarding. It would be much easier if a product were to last on its own without having accessories to go along with it, however it would benefit the products life cycle. Contrary to this is that new tooling systems must be made for the accessories and more logistics must be considered which in turn might even cancel out the fact the original product's life has been extended.
The group collaborative session, I believe was very constructive for it seemed as if it were a scaled down professional design studio. It gave a better atmosphere than working on a project alone.
If I were to design a chair from scratch the most important thing i believe is to know what customers what in their chairs and what they dislike. From this we can derive solutions for these problems and from hence forth a design procedure of ergonomics, market research and further developing can take place.

F

Charette - Concepts


Psycho-Socio - Attachment
This is a design which will allow the users bottom to gradually create a personal engraving into the silicon clip-on cushion. This will generate emotion for it is an original grooving of the user.

Physio-Attachment
This back and shoulder support is designed to slip on the back of the Stefan chair to provide protection from its hard and harsh surface.
Problem Resolution 1
Create a more flowing, curved design. It would be 3 components which will be slotted and screwed.

Problem Resolution 2
Create a main slot for simpler home assembly. It would be slotted then screwed together.

Friday, March 12, 2010

"OBJECTIFIED" Reflection

“Objectified” has revealed to me as a designer the importance of designing products which will allow users to deeply connect to the products they buy through “emotional energy” as mentioned by Chris Bangle. This connection will in turn create layers of meaning within that product whether it may be culturally, personally or socially. Hence sentimental value of the design will increase over time and it will become part of the user, reinforcing their perception of themselves, truly reflecting who they are.

Contrary to the previous ideology, many of today’s current products lifecycles are one of superficial ignorance. Products are ever growingly becoming thoughtless and are creating more and more waste in landfills for they are constantly being replaced. As designers we must be able to minimise waste by reducing/removing unnecessary components. Using APPLE as an example they have reduced the iMAC’s components vastly i.e the keyboards extruded frame provides multi functions such as mounting and stabilising. This is a key issue in evoking sustainability in any designer’s mind.

As designers we must our designs must be “beautiful, innovative, useful, understandable, honest, unobstructive, long-lived, consistent in every detail, environmentally friendly and simple to be a GOOD design. Through these different aspects we can allow users to pour their emotion into the design in their own way as mentioned earlier. We [designers] must “know people more than they know themselves” in order to achieve successful designs. If products make people think “of course it’s meant to be this way” it will help the product “STAND AGAINST TIME”.

Designers are now perceived as “culture generators” so it is our responsibility to provide for a better future for humanity. The “true value” of design is to “SURVIVE” and in order to do so we must provide designs which will allow users to deeply connect with products so they do NOT wish to dump them and hold onto them and cherish them.

Monday, March 8, 2010

Ecological Footprint



I think I need to reduce the size of my footprint.

Tuesday, October 28, 2008

Treasureing Time - VOYIS [Voyage to Inner Spirit]



Basically this design is focused of SELF discovery. With each layer the user must uncover the beautiful core, this is a metaphor for the number of obstacles one must face when on their own personal journey to self discovery.
I played with different forms but the SPHERES natural ergonomics prved to much more sustainable.

Wednesday, October 8, 2008

Video Reflection Six: Designing Dream Machines

Designer as designers should be able to create WHATEVER they want and HOWEVER they like but on ther other hand in this world, nothing can go 100% our way. So the importance of collaborating with the client is essential for the well being of the design firm. This video exposed to me how naive clients can be by not even bothering to check up on the design process of the design brief then have the nerve to complain about the final outcome, which is quite repulsive.

The design processes were quite interesting despite the client's naivety. The ways in which designers brainstorm ideas for new products reminds myself of past projects where we had to collaborate as much as we could to finalise a design. This problem solving would aid me in my years to come as a future industrial designer.

Anyway with this said it is vital to do market research and product research in order to satisfy the client's needs. For instance the research conducted in India revealed the significance of market research, for in the Western world sleeker bikes are more fashionable whereas the more rigid form is more suited in the Indian environment.

Bad Design - Lamp



This lamp is a bad design for numerous reasons. Firstly it seems as though the lamp has not even been finished for there are holes missing where screws are meant to be in place and it is very unsturdy creating a hazardous situation. The main problem of the lamp is the lamp head.

Although it appears to be stable the actual connections of the lamp head are ridiculously clumsy. For instance when the top lamp shade is taken off to remove a busted light bulb the bottom lamp shade is flimsy and unstable for there is no support from the stand.


Furthermore the ring [circled below] is the lampshade's only support of staying upright. This may have been a great support system HOWEVER the ring is screwed into the pole with only one screw and on one side of the rod, which makes the ring lopsided hence the whole lamp head lopsided.








Not only is the bottom lamp shade faulty, the top one is too. As shown below there is a hole for screw to be inserted on the top lamp shade, HOWEVER in the pciture below there is no hole for the screw to pass through which is to stablise the top lamp shade! By the way this stupid lamp was given as a gift, I would never buy this!






Suggestions for improvements are firstly, create more stability to reduce to hazardous nature of this lamp. To do this I suggest creating more screws and ACTUAL holes for these screws to go into.


Secondly the actual lamp shades should be able to lock into place so no lopsidedness could occur.



Wednesday, October 1, 2008

Postal Presents



The purpose of designing the colander is not only to drain pasta, noodles etc. It also brings a about message of "I'm there". Couples like to cook and make meals together, which in turn makes the meal THAT much more delicious and has alot more sentimental value. So by creating this foldable colander I tried to capture that essence of cooking with a loved one. In addition the sender can slip a little letter where the slots in the handles are to enhance the pleasant surprise.
I designed this colander with ORIGAMI as the basis. I believed it is a very convenient method of packaging a 3D form in 2D. I broke down the square piece of material to a very different cutting diagram for too many folds would hinder the "pleasantness" in the surprise. So therefore I applied a tab and slot system along with origami folds. This made the assemblage much simpler than all folds.

Wednesday, September 17, 2008

Video Reflection Five: Annie Leonard - The Story of Stuff

Living in a world where being GREEN is an essential part of life, viewing this video is actually quite sickening. Corporations and the "side-kick" government are so pathetic in their ways of management. Firstly the industrial designers of 30 - 50 years ago, you SUCK! What is the purpose of designing products which BREAK and become UNUSABLE in one year or less? This as a result creating more waste and contributing to the decay of the planet...
One facet I did not know was the extremity of the exploitation of third world countries. First world countries should at least like Leonard said worry more about health care, safe transport systems, education, not CONSUMERISM! In addition to consumerism, the never ending cycle of working, feeling shit then having consume to feel "better" then work to pay off that debt and so on and so forth is ridiculous. People today REALLY have lost what really is IMPORTANT in life. In respect to design, I have come to realise EVEN more than before HOW important it is to design with an environmentally and ecologically sustainable mind set. Not only should designers create products to BENEFIT humans but also be GREEN in their choice of materials and be aware of the exploitation of other human beings.

Thursday, September 4, 2008

Experience Enrichment - Dinospenser

POSTER



DESIGN PROCESS




TECHNICAL DRAWING



Basically this is a sticky tape dispenser which has been re designed for children (5-10yrs old). It has taken form of a dinosaur or a crocodile with the snap motion which cuts the tape. This different interaction allows for a more pleasurable experience for children for it can be perceived as a toy as well as a functional tool. It's round body also functions as a rolling pet crocodile on the desk of a child giving more pleasure in owning the product.

Thursday, August 28, 2008

Video Reflection Four: Paul Bennett - Designing Details

"Small is the NEW big". This idea Paul Bennett presents revealed to me how important it is to go inside the shoes of who you are designing for. The example of the patient in the hospital bed was a very powerful video. Initially the 6 minute video brought about a "What the...?" and boredom but then on the contrary it reflects EXACTLY what a patient's experience is in a hospital. So to solve this the hospital personalised each patient's room and privacy allowing their stay in the hospital a little less daunting.

By seeing design opportunities in one's surroundings the shipping container, Sesame Street, velcro and the Cat's Eye Vision were created. This reinforces the power of "looking things afresh", using thw world arround us to create our own solutions. The IKEA example was yet another dominant aspect of the video. By actually interacting in a child's world and perspective, new storage solutions were created under the tabletops.

Following on from IKEA was the foldable water pump. By "transfering into the world" of Kenya, designers realised beauty and form was NOT necessary. What was most important was to easily transport pumps from A to B. By focusing on the little things, designers can create the more and more useful and pleasureable products. With this in mind I will always keep a concious thought of who I am designing and becoming that person.

Product Sketching



Australian International Design Awards (AIDA)
P100
Invetech, Enttex Ltd.
I believe this design was the more prominent of all in the AIDA exhibition because it has targeted one of the biggest growing concerns of today. Hearing loss can be painful and irritaing, however with the P100's simple and cost effective methods pain from hearing loss can be prevented. Symptoms of iunner ear conditions such as vertigo and tinnitus can be treated with the P100.




Modern Times: Modernism in Australia

Magazine Rack

Sam Atyeo

1935

Initially this magazine rack appeared to have an Oriental look. This is what attracted to me to this design compared to that of the others. I believe this was the best design because it was truely unique and quite beautiful compared to the other designs.

Inspired! Design Across Time

Long Chair

Marcel Breuer

England 1935

At first I thought this chair was quite plain and boring, however as I observed it i began to see a different form. I began to notice the contemporary chairs with pull out leg rests and beach chairs etc. I then came to realise that this chair must have INSPIRED! the designers of the beach and pull leg rest chairs. Therefore by being the primitive of today's sophisticated and ergonomical chair designs, i chose the "Long Chair".





EcoLogic: Creating a Sustainable Future

Hot Water Systems

This primitive hot water system appealed to me because of its simplicity.

Thursday, August 21, 2008

Video Reflection Three: Yves Behar - Designing objects that tell stories

Behar's perception of design is to give design VALUES. Through these values design no longer becomes just aethetics and functionality but also a "set of emotional considerations". "Y Water" was perfect to target the growing obesity epidemic. By allowing water to be fun, children would be influenced to drink healthy substances. By considering the emotions of the modern parent, Y Water was born.

Furthermore the NYC Condom Dispenser targets the growing concerns for STD's in the developed world. By making the dispenser playful and witty (and free) people will be drawn to them and hence use the condoms helping to achieve the client's goal, the goal to give out 30 000 condoms in New York City. Installing them in public areas such as clubs, pubs, etc did not seem ridiculous because the dispenser was equivalent to a fire hydrant. It was "meant" to be there.

On the other hand the One Hundred Dollar Computer XO (OHDC) was able to allow the user to escape from reality. This in itself was truely amazing. By aiding their education and providing a whole new technological world, the OHDC XO was able to put smiles on childrens's faces, even those who are in poverty. It was even considered their most precious item. To be able to help children's futures truely reinforces the idea that "we designers CAN change the world".

These inspirational projects has proved that design can motivated me more to hopefully one day contribute to saving the world...

Saturday, August 9, 2008

Video Reflection Two: Ross Lovegrove - The Power and Beauty of Organic Design

DESIGN NATURE ART was the key concept behind this talk. Ross Lovegrove has revealed to me that design is always undergoing evolution, a parallel link to nature itself. For example a small organism one million years ago would have undergone millions of processes to become the something as majestic as a humpback whale. This same process is applicable to design. As nature continues to evolve, new innovations in science allow design to evolve too.

Lovegrove also believed that the natural world had the right idea all along, that "nature liberates form". Instead of building up on what was built in the past, looking into nature is the new way to explore and define new shapes. This ideology has inspired me to think in a whole different perspective. Why come up with something artificial when nature took millions of years to process something like a beautiful whale? The answer can be there right in front of us when we least expect it to be.This fundmental basis of ORGANIC design was a true eye opener.

Ross Lovegrove also strongly believes in simplicity of form. For example his concept car which was inspired by a water droplet has rid of all the small mechanics and gadjets behind contemporary cars, saying "cars are all wrong" and instead replaced them with only the essentials while maintaining the organic form and flow. This again has given me more insight into ORGANIC design. We do not have to have a meticulously formed design to make it beautiful. We can create something of "minimal form with maximum beauty" just how Lovegrove has achieved it.

Wednesday, August 6, 2008

Good Design - Eva Trio Kite Chopping Boards




Designer: Storm Design

Client: Eva Denmark

Bronze, International Design Excellence Awards (IDEA) 2008

Storm Design (Denmark) has given the everyday chopping board a new aesthetic as well as a new function. From the boring rectangular board to three new kite shaped designs, the Eva Trio Kite Chopping Boards (ETKCB) have revolutionised cooking. They are designed with a unique slope to collect meat juices which usually end up on the kitchen bench or the perhaps even the floor, making cleaning an annoyance. In addition these slopes can also prevent chopped ingredients from falling onto the floor. Furthermore the pointed angle ensures no ingredients fall off whilst the user is pouring meat juices or ingredients into pots and bowls. Not only is the ETKCB's praticality useful, it is gracefully blended with its aesthetic. It is a beautiful piece which evokes a hovering kite in the wind, making cooking more enjoyable. With these new innovations, ETKCB's target market such as chefs to the average cook at home will be surew to be grasped.

Material : Solid Oak
Size: 40x40x3




Visual Design Analysis:

LINE: Straight, solid, smooth lines but also one of the three has curves

BALANCE: All three are symmetrical at the pointed angle and the weith evenly distributed

CONTRAST:The slope is contrasted with the flat plane of the chopping board





FORM: The dimensions of different kite designs blended with the dimensions of the typical board

COLOUR: Natural colour of oak, which is intensified by the grains of the of the wood

TEXTURE: Smooth and sleek with solid edges and corners

PROPORTION: The plateau of the board dominates most of the form comapred to that of the slope



More information on ETKCB
http://www.armorica.co.uk/Cooks_Equipment/Chopping_Boards
http://www.danskdesign.nu/eva-trio-kite
http://images.businessweek.com/ss/08/07/0717_idea_winners/101.htm